I’m curious: what’s your elevator pitch for
your book?
Untying the Knot by Karen Paul Holmes is a memoir in poetry
about loss and healing written with “grace, humor, self-awareness and without a
dollop of self-pity.” (poet Thomas Lux)
How did you come upon the subject of your book?
It came upon me!
Suddenly. My husband of 30 years told me he’d slept with one of my good friends
and was in love with her. Since poetry is my main means of expression, poems
(and notes in my journal that became poems) started pouring out of me. Of
course, I later edited the heck out of most of them. Many were workshopped too,
some with poets like Dorianne Laux and Carol Ann Duffy, the poet laureate of
Great Britain. I wasn’t intending to write a book, but after two years, I had
about 60 poems and one day realized I could put them together for a collection.
That was a healing moment.
And the title? Sometimes, it seems to me,
titles can strike like lightning or can be extraordinarily elusive. How did you
go about finding your title?
This one struck like
lightening because there’s a poem in the book with the same title, and the poem
is actually about knots, and it was just a no-brainer.
Tell us something about the most difficult
thing you encountered in this book’s journey.
The most difficult
thing was actually living the story taking place as I was writing the poems. (But
writing was therapeutic for me.) And then once the book was published, I feared
the angry phone call (or worse) if my ex and his girlfriend read it. Also, I
suddenly felt vulnerable: People reading this book would know intimate things about
me. I’d opened my kimono, and even if I closed it back up, all had been
exposed.
And the most pleasurable?
Sharing. People relate
to the book and tell me so. They buy it for friends going through divorce. Even
people who haven’t been divorced, but have been through other losses, relate to
the story. When the poems were fresh, I
couldn’t read them out loud, but by the time the book came out, I could. Even
though people always seemed to enjoy my readings before, I found that people
connected to me even more, probably because I showed my vulnerability, and that
always makes one more “human” to audiences.
What’s the best and / or worst piece of advice
(writing or publishing or similar) you’ve gotten?
A very specific piece
of advice I love is to end poems with an image. That single technique often
helps a poem’s ending snap into place. I was told (and believe) it leaves
readers taking that image beyond the poem and into their own imaginations or
memories, where they can linger.
Tell us one of your favorite books you’ve
discovered recently and say a little about why.
Without by Donald Hall. He wrote it during his wife’s (poet Jane Kenyon’s)
illness and death. It is painfully honest and beautiful. I kept writing “yes!”
in the margins, and I rarely write in books.
Can you share an excerpt from your book? Give
us a taste.
I’d
love to. This one is toward the end of the story, when I began to more fully
comprehend and accept what had happened. I had read Stag’s Leap by Sharon Olds and was inspired to write this poem and
add it to my manuscript—this was after the publisher had accepted the book, but
she agreed to add it.
Has He Landed Safely?
I worry
that the outstretched legs on the hart are bent the wrong way
as he
throws himself off.
—from Stag’s Leap,
Sharon Olds
Not at all a graceful
takeoff
his leap threw him
into the wild blue
ambiguity of an
affair.
I now know he had to
do it:
had to explore, sail
off the edge
of the world.
I now know he had one
limb out
of our marriage for
years.
Kept trying to balance
his accounts—in his
mind
he and I did not equal
happiness
even though I was the
wife he wanted
to show. Smart,
pretty enough, a good
mother.
He loved me as much as
he could
but I did not fill his
coffers.
For two years he
resisted the lure
of her but it
persisted,
a bee in his palm,
until he couldn’t hold
it any longer.
He was barely more
than fawn
in the ways of
betrayal, antlers
uncalcified. Yet he
craved
the danger, needed it
like heroin to addle
his pain.
He had to leap, to
deny the gravity
of his action. To
land, gashed
in another galaxy.
Does he speak the
language?
Can he breathe?
What’s a question you wish I asked? (And how
would you answer it?)
hmmm, you asked good
questions. How about, “Has anyone bought the movie rights?” But unfortunately,
I’d have to answer no.
OK, we’re smitten. Where do we go to buy your
book?
It’s in paperback and
Kindle at Amazon. I’d love for people to be inspired to buy it, so thanks for
asking and thanks for the interview!
http://www.amazon.com/Untying-Knot-Karen-Paul-Holmes/dp/0615998984
Thank you again, Molly!
ReplyDeleteKaren, Congratulations on getting this excellent interview review. I like the format. Untying the Knot is a collection that will have a long shelf life for sure.
ReplyDeleteGreat interview! I love Untying the Knot and I have never been divorced, but I have suffered loss and endured grief such as you write about here. Your poems draw visual pictures that draw me into every one.
ReplyDeleteKaren is not only an amazing poet, she is an incredible supporter of poetry and poets in Atlanta. My life is so much better for having met her!
ReplyDelete